How the 'Tony' Biopic Captures Bourdain’s Early Struggles Without a Cradle-to-Grave Narrative
The screenwriters of *Tony*, the upcoming A24 biopic about Anthony Bourdain, discuss their approach to focusing on a pivotal summer in the chef’s life, balancing fan expectations, and the challenges of securing the estate’s trust. The film avoids a traditional biopic structure, instead honing in on Bourdain’s formative years in Provincetown, Massachusetts, in 1975.

The upcoming A24 biopic *Tony* takes a fresh approach to storytelling, avoiding the typical cradle-to-grave narrative in favor of a focused window into Anthony Bourdain’s life. Screenwriters Todd Bartels and Lou Howe chose to center the film on the summer of 1975, when a young Bourdain first worked in a Provincetown, Massachusetts, kitchen. This period serves as a microcosm of his journey, capturing the struggle of knowing who you want to be but not yet knowing how to get there.
## Crafting a Relatable Story for Fans and Newcomers Alike
Howe admitted to initial anxiety about balancing the film for both Bourdain enthusiasts and those unfamiliar with his story. However, the writers trusted in their ability to craft a compelling narrative. "We started this process as fans ourselves," Howe said, noting that they included subtle nods to Bourdain’s memoir *Kitchen Confidential*, such as the "bride story" where he naively asked for burn cream after handling a hot pan.
Bartels emphasized that the film’s emotional depth was shaped by Laurie Woolever’s biography of Bourdain, which helped answer key questions about his transformation from a self-described "little shit" to a beloved cultural figure. The writers sought to explore how Bourdain evolved from someone who "treated the world like his ashtray" into an enlightened voice for many.
## Securing the Trust of Bourdain’s Estate
Gaining the trust of Bourdain’s estate was a multistep process. The writers knew they needed to approach the estate first, and executive producer Emily Rose, a Bourdain fan, connected them with Kimberly Witherspoon, Bourdain’s literary agent and a key figure in his career. Witherspoon and Ottavia Busia-Bourdain, the estate’s executors, were initially skeptical but intrigued by the film’s focus on Bourdain’s early years rather than his later life or death.
The pitch was simple: a love letter to Bourdain’s formative summer in Provincetown, culminating in a clambake. Witherspoon and Busia-Bourdain liked the idea but wanted proof, so the writers returned with a script, A24’s involvement, and director Matt Johnson and actor Dominic Sessa on board. Witherspoon later joined as an executive producer, playing a crucial role in shaping the film’s authenticity.
## Casting and Culinary Authenticity
From the start, Dominic Sessa was the only actor considered for the role of Bourdain. However, the writers had fun speculating about who could play an older version of Bourdain, with suggestions including Bobby Cannavale and Eric Bogosian.
Kimberly Witherspoon’s input was invaluable in ensuring the film stayed true to Bourdain’s character. She pushed for a darker portrayal, insisting that Bourdain was a "punk" during this period and should not be sanitized. Her influence also led to a cameo by Eric Ripert, Bourdain’s close friend and fellow chef, who was humble and curious about the acting process on set.
The film’s culinary authenticity was a priority, with food consultant Christine Tobin preparing meals daily in a kitchen shack. Dominic Sessa reportedly ate eight lobster rolls at a time, while Leo Woodall, who played Bourdain’s friend Sal, became skilled at shucking oysters. Antonio Banderas, who played chef Ciro, even made paella on set, adding to the film’s realism.
## Missed Opportunities and Provincetown’s Influence
One scene that didn’t make the final cut involved Bourdain visiting Hiram’s, his favorite hot dog stand in Fort Lee, New Jersey. The writers also considered incorporating fado music, a melancholic Portuguese singing style, more prominently, including a potential character who could have been an unrequited love interest for Banderas’s character.
To capture the essence of Provincetown, the writers spent time at Bourdain’s favorite dive bar, the Old Colony Tap, immersing themselves in the town’s maritime culture and history. The bar, covered in Red Sox memorabilia, was described as "the best bar in America" by Bartels.
*Tony* is set to hit theaters on August 21, 2026.





